Perhaps, the most famous Iranian opera is Rostam and Sohrab by Loris Tjeknavorian premiered not until the early 2000s. In general, orchestras got bigger, new instruments were added, such as additional percussion instruments (e.g., bass drum, cymbals, snare drum, etc.). Italian libretti were the norm, even when a German composer like Handel found himself composing the likes of Rinaldo and Giulio Cesare for London audiences. The earliest singspiels were light plays whose dialogue was interspersed with popular songs. (Image by Zanatta et al.  In February 2015, concerns over English National Opera's business plan led to the Arts Council placing it "under special funding arrangements" in what The Independent termed "the unprecedented step" of threatening to withdraw public funding if the Council's concerns were not met by 2017. The members of the Camerata considered that the "chorus" parts of Greek dramas were originally sung, and possibly even the entire text of all roles; opera was thus conceived as a way of "restoring" this situation.  The approach of the English Commonwealth closed theatres and halted any developments that may have led to the establishment of English opera. They became so popular, however, that they were soon being offered as separate productions. Examples of famous operas in the bel canto style include Rossini's Il barbiere di Siviglia and La Cenerentola, as well as Bellini's Norma, La sonnambula and I puritani and Donizetti's Lucia di Lammermoor, L'elisir d'amore and Don Pasquale. :) Sort by: View: 20 names 1. Olivier Messiaen's lengthy sacred drama Saint François d'Assise (1983) has also attracted widespread attention.. This was a style introduced by Pietro Mascagni's Cavalleria rusticana and Ruggero Leoncavallo's Pagliacci that came to dominate the world's opera stages with such popular works as Giacomo Puccini's La bohème, Tosca, and Madama Butterfly. The 20th century saw many experiments with modern styles, such as atonality and serialism (Arnold Schoenberg and Alban Berg), Neoclassicism (Igor Stravinsky), and Minimalism (Philip Glass and John Adams). It was written around 1597, largely under the inspiration of an elite circle of literate Florentine humanists who gathered as the "Camerata de' Bardi".  During the early 1700s, some composers began to use the string orchestra to mark certain aria or recitatives "...as special"; by 1720, most arias were accompanied by an orchestra. During that period, the Council undertook an analysis of its funding for large-scale opera and ballet companies, setting recommendations and targets for the companies to meet prior to the 2015–2018 funding decisions. The tradition was developed in the 19th century by Beethoven with his Fidelio (1805), inspired by the climate of the French Revolution. It was frequently libellous and scandalous and consisted in the main of dialogue set to music arranged from popular tunes. Walter E. Piatt; Project maintenance. The Metropolitan Opera in the US (often known as the Met) reports that the average age of its audience is now 60. Handel also uses the French overture form in some of his Italian operas such as Giulio Cesare. Resembling the contemporary English ballad opera and the French opéra-comique (both of which stimulated its development), the singspiel rose to great popularity in the late 18th century. The role of the male hero was usually entrusted to a castrato, and by the 18th century, when Italian opera was performed throughout Europe, leading castrati who possessed extraordinary vocal virtuosity, such as Senesino and Farinelli, became international stars. The first opera ever written in the Americas was La púrpura de la rosa, by Tomás de Torrejón y Velasco, although Partenope, by the Mexican Manuel de Zumaya, was the first opera written from a composer born in Latin America (music now lost). Georges Bizet (1838–1875), for example, based his Carmen (1875) on an early nineteenth-century novella by Prosper Mérimée and, like its source, the opera is full of the Spanish flavor that so appealed to French nineteenth-century audiences. Find out more about the greatest 19th Century Opera Singers, including Jenny Lind, Enrico Caruso, Alessandro Moreschi, Nellie Melba and Ezio Pinza. Add new page. Other composers who made individual contributions to German opera in the early 20th century include Alexander von Zemlinsky, Erich Korngold, Franz Schreker, Paul Hindemith, Kurt Weill and the Italian-born Ferruccio Busoni.